Here
and After
Political warrior David Horowitz reflects on life and death in his new book “A Point in Time: The Search for Redemption in This Life and the Next”
By Theodore
Dalrymple
Death
is every life’s inevitable denouement, but La Rochefoucauld told us that we can
no more stare it in the face than we can stare at the sun. For the most part,
we continue our daily round in a state of presumed immortality, and because we
are so unfamiliar nowadays with death—it having been carefully put out of our
sight by a host of professionals—we treat it as an unwarranted intrusion into
our affairs rather than as an existential limit to our brief earthly sojourn.
For many, death has become anomalous rather than inevitable, something to
protest against rather than accept. For them, the concept of a good death is
entirely alien or antipathetic.
David
Horowitz tries to stare his own death in the face. Now 71, he has had cancer of
the prostate, and he has diabetes and angina; his diplomatic immunity from
death, which we all grant ourselves, has been unmistakably withdrawn. His short
new book, which it is both necessary and a pleasure to read in one sitting, is
a meditation on the meaning of life, sub specie aeternitatis.
Horowitz
begins by reflecting on the nature and character of his dogs, whom he takes for
regular walks. Perhaps those who don’t love dogs will think this an odd way to
begin a book on the meaning of life, but it seems entirely natural and fitting.
Indeed, I was struck by how Horowitz’s meditations paralleled mine, occasioned
by my relationship, and walks, with my own dog—a relationship intense and
happy, at least on my side and, if I don’t delude myself, on his also. The dog,
of course, has no intimation of his own mortality, while the owner’s pleasure
in the animal’s company is increasingly tinged with a melancholy awareness of
his swiftly approaching dissolution. Yet the dog maintains his passionate
interest in the little world around him, his small-scale curiosity in his
immediate environment. In the face of the physical immensity of the universe
and the temporal vastness that both preceded and will follow his oblivion, is a
man in any fundamentally different situation?
As
far as we know, we are the only creatures to demand of their existence a
transcendent meaning. This can be supplied by various means, most commonly
religious belief. Horowitz is unable to accept belief in a personal God, but
wishes he could and, unlike many in his position, does not scorn those who do.
He is decidedly not the village atheist.
More
than most, however, he has reason to know that politics can also give, or at
any rate appear to give, transcendent meaning to life. The secular religion of
Marxism was particularly adept at supplying this meaning, though nationalist
struggles could do the same. To believe that one was a soldier in history’s
army, marching toward the predestined final victory when mankind would become
terminally happy, and that one’s participation would help bring forward that
consummation, was to know that one did not live in vain. Even personal
suffering can be lessened by adherence to a political cause: either such
suffering is experienced as a consequence of the struggle, or it is at least
ameliorated by an acceptance of its pettiness by comparison with the greater
goal.
Horowitz
offers brief but moving glimpses of his father, a true believer in the ability
of Marxism (in what he considered its indubitably correct form) not only to
interpret the world but to change it. The preposterous intellectual grandiosity
of this belief contrasted comically, and sadly, with Horowitz senior’s position
in the world. His son’s depiction has an elegiac quality, portraying the
tragicomedy of a man who thought he had penetrated to the heart of existence’s
mystery but was really quite weak. Though he embraced a doctrine that had done
untold evil in the world, he himself was a gentle soul. His son writes in
sorrow, not anger.
The
author has reason to know better than most the religious nature of the
revolutionary creed. In 1971, when still under the influence of leftism, he
edited a book of essays dedicated to the life and work of the Marxist historian
Isaac Deutscher. Like Horowitz’s father, Deutscher kept his faith in the
immaculate conception of the October Revolution, a revolution that was, alas,
subsequently to be corrupted—just as Rousseau thought naturally innocent
mankind was corrupted by society. One of the essays in this book, by the
Economist’s former Paris correspondent, Daniel Singer, contains the following
passage:
Could
one trust the statement of a Komintern ready to distort in such a fashion?
Isaac was driven to question all authorized versions, to go back to the October
revolution, to study the conflicts that followed Lenin’s death. The German
heresy thus led him logically to an understanding and rejection of the
Stalinist system.
The
religious nature of Deutscher’s belief in revolutionary Marxism could hardly
have been clearer. Authorized versions give rise to, or at least are the
precondition of, heresies. Deutscher went back to the October Revolution, and
to Lenin’s words, as Muslim fundamentalists go back to the Koran, for a source
of undoubted and indisputable truth. Inside every heretic, it seems, a
dogmatist is trying to get out.
Horowitz
has put the pseudo-transcendence of a purpose immanent in history completely
behind him so completely that he can now write about it calmly and without
rancor. His masters are now Marcus Aurelius, the stoic Roman emperor, whom he
likes to quote, and Dostoyevsky, who was among the first to grasp the
significance of the perverted religious longings of the revolutionary
intelligentsia, and the hell on earth to which they would inevitably lead. But
the temptations of ideology are always present: Dostoyevsky, so aware of the
dangers of the revolutionary intelligentsia, himself subscribed in entries in A
Writer’s Diary to an ideology at least as absurd: that of Slavophile
millenarianism. It is wrong to oppose one ideology with another, but it is by
no means easy to escape the trap of doing so.
If
neither formal religious belief nor secular religions like Marxism gives
meaning to Horowitz’s life, what does? In large measure, it is his work: a
lifetime spent in the crucible of political thought and struggle, first on the
left, and then, over the last quarter century or so, as a devout conservative.
It is vain to suppose, of course, that any human achievement, even the highest,
could possibly be of a duration that would entitle it to the word “eternal.” No
literary fame, for example, has so far lasted longer than 3,000 years—not even
the blinking of the universe’s eyelid. But we humans must live on a human scale
and measure things accordingly. The journalist, while he writes his latest
article, thinks it of the greatest significance, though he knows perfectly well
that it will be forgotten the day after tomorrow, if indeed it is read or
noticed at all. Often I have thought to myself, as I write articles, “If only I
can be spared until I have finished it,” though I am aware that even I will
have forgotten its content by the week after next.
Significance
and importance, however, are not natural qualities found inhering in objects or
events. Only the appraising mind can impart such meaning. That is why, in my
view, the neurosciences are doomed to failure, at least in their more ambitious
claims. A mysterious metaphysical realm exists beyond the reach of even the
most sophisticated of scanners, even if we cannot specify exactly where that
realm is or how it came to be. The physiologist Moleschott, in the nineteenth
century, declared that the brain secreted thought like the liver secreted bile;
those neuroscientists who tell us that we are about to empty life of its
mystery will come to seem as ridiculous, as absurdly presumptuous, as Moleschott
seems to us now.
Horowitz
tackles these problems in an indirect and gentle fashion. When he talks of the
meaning that his work gives to his life, he is not saying to all his readers
“Go and do likewise,” because it is clearly not given to everyone to do so (and
thank goodness—a world composed of only one kind of person would be
unbearable). The satisfaction of work is not, or at least should not be,
proportional to the amount of notice it receives in the world. Perhaps the
worst effect of celebrity culture is that it makes fame the measure of all
things, and thus devalues or renders impossible not only satisfaction from
useful but unglamorous labour, but precisely the kinds of pleasures and deep
consolations that are to be had from walking a dog.
David
Horowitz’s book is a small but important contribution to the revival of the art
of dying well, an art from which most of us, both the living and the dying,
would benefit. And to die well, we must know first what we have lived for.
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