2012 could be characterised as the year when the
wrong side, the illiberal liberals, were victorious in the wrong war, the
Culture War. In America and much of Western Europe, the cultural values of the
so-called ‘left’ came firmly to the fore in this war of attitudes that has been
waged for 30-odd years. This is a big problem as we head into 2013 - not only
because the ascendant values are elitist, censorious and profoundly cavalier
about the traditions and belief systems through which many people live their
lives, but also because the Culture War itself is not a useful way to
understand the clash of interests and moral divisions in twenty-first-century
society.
On
numerous fronts, from gay marriage to tabloid culture to gun control, the side
in the Culture War that disingenuously defines itself as progressive scored big
hits in 2012. President Obama’s ‘coming out’ in support of gay marriage, or his
‘evolution’ as his cheerleaders tellingly put it, signaled a shift not only in
one man’s attitude towards homosexuals getting hitched but in the Democratic
Party leadership’s attitude towards its support base. The upper echelons of the
party were really confirming that the constituency they care most about these
days is not the traditionalist or rural blue-collar world, but the apparently
more enlightened urban and creative cliques of the new cultural elite. In
Britain, too, gay marriage was used as a tool for redrawing the political map,
being fervently promoted by Tory PM David Cameron as a means of purging his party
of its ‘nasty’ image, and its nasty people, and making real his claims to
represent New Conservatism. In Britain, the rise of gay marriage explicitly
signals the acceptance by the right of the values of their one-time opponents
in the Culture War.
Meanwhile,
through the Leveson report in Britain and the earlier Finkelstein report in
Australia, the cultural left’s view that tabloid culture is a poisonous
phenomenon that must be controlled pretty much became official policy. The
sight last year of Rupert Murdoch, one-time doyen of the right-wing side of the
Culture War, shutting down his cash cow News
of the World, as right-wing Tory ministers largely cheered an official
inquiry into his and other rabbling newspapers, summed up the defensiveness of
the right and the corresponding cockiness of the ‘liberals’ in the current
Culture War set-up. The year ends with a new debate about guns, following the
shootings at Sandy Hook school in Connecticut, with a widespread, unchallenged
demonisation of gun-owning communities in the US as ‘fundamentalists’ whose
‘reasoning process’ has been destroyed. The Culture War’s so-called liberals
(yet not so liberal that they aren’t determined to have the state disarm the
populace) now believe strict gun control in the US is a real possibility.
The
year’s shift in the Culture Wars is best summed up by the existential disarray
of the US Republican Party. Despite not losing the presidential election too
dramatically in terms of the popular vote - Mitt Romney got 60.8million votes to
Obama’s 65million - Republicans have responded to their loss with an historic
outburst of hair-tearing. They’re having tortured debates about the purpose of
their Grand Old Party. They seem instinctively to recognise that they didn’t
only lose the White House in 2012, but something bigger: a clash, a war, the
three-decade wrestle between ‘two cultures’.
Many
people, spiked included, will not lose much sleep
over the fact that the increasingly ridiculous Republican Party, and other
right-wingers, are isolated, at a loss, unsure what to do with themselves. But
that doesn’t mean we should cheer what’s happened in the Culture Wars this
year. There are two very striking things about each of the new fronts in this
so-called war. The first is how each clash is not really a substantial debate
about palpable issues of principle, but rather is a theatrical setpiece,
pitting one, apparently civilised section of society (‘Us’) against an
apparently backward, borderline Neanderthal section of society (‘Them’). From gay
marriage, whose opponents are branded ‘bigots’ and even ‘knuckle-draggers’, to
gun control, whose opponents are labelled ‘paranoid’, these are clearly not
deep debates about the institution of marriage or a citizen’s right to arm
himself, but rather are pieces of moral theatre whose aim is to demonstrate the
superiority of the newly ascendant creative classes over whacked-out
traditionalist communities. They are preening sideshows which somehow have
taken centre stage in twenty-first-century politics.
And
the second striking thing is how the ascendant side disingenuously depicts
itself as a beleaguered bunch of progressives fighting tooth-and-catapult to
overturn the rule of monolithic right-wing entities. On gay marriage,
campaigners claim to be the ‘new Suffragettes’ fighting against entrenched
religious and political backwardness - but in truth pretty much everyone,
including the Tory Party and The
Times, is agitating for gay marriage. On tabloid culture, the censorious
liberals claim to be waging war against an almighty Murdochian
corporate-cum-political machine - but in fact everyone, including the ‘Murdoch
Empire’ actually, accepts that the tabloids must be rapped on their knuckles
and tamed. On gun control, so-called progressives say they are taking on a vast
gun-toting right-wing conspiracy - but in reality, as evidenced by the
Republicans’ abandonment of the National Rifle Association and the NRA’s own
historic defensiveness post-Sandy Hook, here, too, being in favour of gun
control is the new normal and being against it, at least outspokenly, is rare.
The
skewed depiction of the ascendant side in the Culture Wars as a brave group of
radicals taking on scary traditional authority cuts to the heart of why the
Culture War is not a useful tool for making sense of society today: because it
obfuscates reality and history. In the very act of depicting these clashes as a
‘war’, allegedly between white-haired old homophobic farts with guns and
gay-loving secularists with no guns, the Culture War rhetoric obscures the real
dynamic taking place today - which is the collapse of, rather than conscious defeat of,
traditional forms of authority. Over the past three decades, and more in fact,
longstanding Western morals and norms have fallen into disrepute and have been
abandoned wholesale by those who once defined and defended them, whether it was
the church or the political set. What the Culture War flim-flam does is doll up
this crisis of Western values, and the political and moral vacuum it has
nurtured, as a conscious product of the brave efforts of the warriors for
‘progress’. In truth, these illiberal liberals are better understood as having
crept, pretty easily and largely unchallenged, into the vacuum left by the old
moral guardians’ abandonment of their posts.
Moreover,
the depiction of the ascendant side as outsiders, kicking down the doors of the
gun-owning, God-bothering insiders, obscures the fact that its illiberal
liberal values are actually becoming conventional, and are in essence the
ruling ideas of our time. We are seeing the emergence of a new
authoritarianism, though it presents itself as ‘progress’ hard won by those who
depict themselves as being external to mainstream sources of authority. In
short, a new elite is forming, one which defines itself as cosmopolitan in
contrast to the backward masses and which desires both to tame freedom of the
press and to concentrate arms in the hands of the state. Yet this new elite
presents itself as a non-elite, even an anti-elite, which apparently is
overturning authority rather than fashioning new, stringent forms of authority.
The
Culture Wars distort reality. They present traditionalism as strong, when in
truth it is weak, and the ‘progressive’ side as embattled, when in fact it’s
shaping the modern moral outlook. They use the language of left and right to
define a shallow clash that was actually largely brought about by the demise of
the serious left and the serious right. Worse, they politicise people’s
personal preferences, on everything from marriage to whether they visit
shooting ranges, which can lead to a new form of politics that is more
concerned with ostentatiously demonising entire ‘bad’ communities than with
rethinking society or the future. And even worse than that, they warp what it
traditionally meant to be left-wing. If being left-wing now means empowering
the state to limit press freedom, disarm citizens and dictate which communal
values are acceptable and which are not, then all I know for certain as we
enter 2013 is that I am not left-wing.
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