by CHUCK GRIMMETT
Over at Medium, tech pioneer Kevin
Ashton unknowingly wrote a tribute to Leonard Read’s
classic, I,
Pencil.
What
Coke Contains begins,
The Vons grocery store two miles from my home in Los Angeles, California sells 12 cans of Coca-Cola for $6.59 — 54 cents each. The tool chain that created this simple product is incomprehensibly complex.
From there Ashton
gives a fascinating overview of what it takes to make a can of Coke, in the
same style Leonard Read used for the pencil in 1958. I contacted Ashton after a
friend shared his piece with me, and it turns out that he didn’t know about I, Pencil beforehand.
He closes with a
wonderful hat tip to decentralized knowledge, spontaneous order, and the price
system:
The number of individuals who know how to make a can of Coke is zero. The number of individual nations that could produce a can of Coke is zero. This famously American product is not American at all. Invention and creation is something we are all in together. Modern tool chains are so long and complex that they bind us into one people and one planet. They are not only chains of tools, they are also chains of minds: local and foreign, ancient and modern, living and dead — the result of disparate invention and intelligence distributed over time and space. Coca-Cola did not teach the world to sing, no matter what its commercials suggest, yet every can of Coke contains humanity’s choir.
It is great to see
these ideas being explored independently. If you haven’t read it yet, here it
is:
What Coke Contains
The Vons grocery
store two miles from my home in Los Angeles, California sells 12 cans of
Coca-Cola for $6.59 — 54 cents each. The tool chain that created this simple
product is incomprehensibly complex.
Each can
originated in a small town of 4,000 people on the Murray River in Western
Australia called Pinjarra. Pinjarra is the site of the world’s largest bauxite
mine. Bauxite is surface mined — basically scraped and dug from the top of the
ground. The bauxite is crushed and washed with hot sodium hydroxide, which
separates it into aluminum hydroxide and waste material called red mud. The
aluminum hydroxide is cooled, then heated to over a thousand degrees celsius in
a kiln, where it becomes aluminum oxide, or alumina. The alumina is dissolved
in a molten substance called cryolite, which is a rare mineral from Greenland,
and turned into pure aluminum using electricity in a process called
electrolysis. The pure aluminum sinks to the bottom of the molten cryolite, is
drained off and placed in a mold. It cools into the shape of a long cylindrical
bar. The bar is transported west again, to the Port of Bunbury, and loaded onto
a container ship bound for — in the case of Coke for sale in Los Angeles — Long
Beach.
The bar is
transported to Downey, California, where it is rolled flat in a rolling mill,
and turned into aluminum sheets. The sheets are punched into circles and shaped
into a cup by a mechanical process called drawing and ironing — this not only
makes the can but also thins the aluminum. The transition from flat circle to
something that resembles a can takes about a fifth of a second. The outside of
the can is decorated using a base layer of urethane acrylate, then up to seven
layers of colored acrylic paint and varnish that is cured using ultra violet
light, and the inside of the can is painted too — with a complex chemical
called a comestible polymeric coating that prevents any of the aluminum getting
into the soda. So far, this vast tool chain has only produced an empty, open
can with no lid. The next step is to fill it.
Coca-Cola is
made from a syrup produced by the Coca-Cola Company of Atlanta. The main
ingredient in the formula used in the United States is a type of sugar
substitute called high-fructose corn syrup 55, so named because it is 55 per
cent fructose or “fruit sugar”, and 42 per cent glucose or “simple sugar” — the
same ratio of fructose to glucose as natural honey. HFCS is made by grinding
wet corn until it becomes cornstarch. The cornstarch is mixed with an enzyme
secreted by a rod-shaped bacterium called Bacillus and an enzyme secreted by a
mold called Aspergillus. This process creates the glucose. A third enzyme, also
derived from bacteria, is then used to turn some of the glucose into fructose.
The second
ingredient, caramel coloring, gives the drink its distinctive dark brown color.
There are four types of caramel coloring — Coca Cola uses type E150d, which is
made by heating sugars with sulfite and ammonia to create bitter brown liquid.
The syrup’s other principal ingredient is phosphoric acid, which adds acidity
and is made by diluting burnt phosphorus (made by heating phosphate rock in an
arc-furnace) and processing it to remove arsenic.
A much smaller
proportion of the syrup is flavors. These include vanilla, which is the fruit
of a Mexican orchid that has been dried and cured for around three months;
cinnamon, the inner bark of a Sri Lankan tree; coca-leaf which comes from South
America and is processed in a unique US government authorized factory in New
Jersey to remove its addictive stimulant cocaine; and kola nut, a red nut found
on a tree which grows in the African Rain Forest (this may be the origin of
Coca-Cola’s distinctive red logo).
The final
ingredient is caffeine, a stimulating alkaloid that can be derived from the
kola nut, coffee beans and other sources.
All these
ingredients are combined and boiled down to a concentrate, then transported
from the Coca-Cola Company factory in Atlanta to Downey where the concentrate
is diluted with water infused with carbon dioxide. Some of the carbon dioxide
turns to gas in the water, and these gas bubbles give it effervescence, also
know as “fizz,” after its sound. 12 ounces of this mixture is poured into the
can.
The top of the
can is then added. This is carefully engineered: it is made from aluminum, but
it has to be thicker and stronger to withstand the pressure of the carbon
dioxide gas, and so it uses an alloy with more magnesium than the rest of the
can. The lid is punched and scored so that a tab opening, also made of
aluminum, can be installed. The finished lid is put on top of the filled can,
and the edges of the can are folded over it and welded shut. 12 of these cans
are then packaged into a painted paperboard box called a fridge pack, using a
machine capable of producing 300 such packs a minute.
The finished
product is transported by road to a distribution center, and then to my local
Vons. The tools, which span from bauxite bulldozers to refrigerators via
urethane, bacteria and cocaine, produces 70 million cans of Coca-Cola each day,
one of which can be purchased for about two quarters on most street corners,
and each of which contains far more than something to drink. Like every other
tool, a can of Coke is a product of our world entire and contains inventions
that trace all the way back to the origins of our species.
The number of
individuals who know how to make a can of Coke is zero. The number of
individual nations that could produce a can of Coke is zero. This famously
American product is not American at all. Invention and creation is something we
are all in together. Modern tool chains are so long and complex that they bind
us into one people and one planet. They are not only chains of tools, they are
also chains of minds: local and foreign, ancient and modern, living and dead —
the result of disparate invention and intelligence distributed over time and
space. Coca-Cola did not teach the world to sing, no matter what its
commercials suggest, yet every can of Coke contains humanity’s choir.
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