It is a strange and bitter coincidence that the latest
eruption of violent Islamic indignation takes place just as Salman Rushdie
publishes his new book, Joseph Anton:
A Memoir, about his life under the fatwa.
In 23 years not much has changed.
Islam’s rage reared its ugly head again last week. The
American ambassador to Libya and three of his staff members were murdered by a
raging mob in Benghazi, Libya, possibly under the cover of protests against a
film mocking the Muslim Prophet Muhammad.
They were killed on the watch of the democratic
government they helped to install. This government was either negligent or
complicit in their murders. And that forces the U.S. to confront a stark,
unwelcome reality.
Until recently, it was completely justifiable to feel
sorry for the masses in Libya because they suffered under the thumb of a cruel
dictator. But now they are no longer subjects; they are citizens. They have the
opportunity to elect a government and build a society of their choice. Will
they follow the lead of the Egyptian people and elect a government that stands
for ideals diametrically opposed to those upheld by the United States? They
might. But if they do, we should not consider them stupid or infantile. We
should recognize that they have made a free choice a choice to reject freedom
as the West understands it.
How should American leaders respond? What should they
say and do, for example, when a spokesman for the Muslim Brotherhood, Egypt’s
newly elected ruling party, demands a formal apology from the United States
government and urges that the madmen behind the Muhammad video be
prosecuted, in violation of the First Amendment? If the U.S. follows the
example of Europe over the last two decades, it will bend over backward to
avoid further offense. And that would be a grave mistake for the West no less
than for those Muslims struggling to build a brighter future.
For a homicidal few in the Muslim world, life itself
has less value than religious icons, such as the prophet or the Quran. These
few are indifferent to the particular motives or arguments behind any perceived
insult to their faith. They do not care about an individual’s political
alignment, gender, religion, or occupation. They do not care whether the
provocation comes from serious literature or a stupid movie. All that matters
is the intolerable nature of the insult.
The riots in
Muslim countries and the so-called demonstrations by some Muslims in Western
countries that invariably accompany such provocations have the appearance of
spontaneity. But they are often carefully planned in advance. In the aftermath
of last week’s conflagration, the State Department and Pentagon were
investigating if it was just such a coordinated, planned assault.
The Muslim men and women (and yes, there are plenty of women) who support whether
actively or passively the idea that blasphemers deserve to suffer punishment
are not a fringe group. On the contrary, they represent the mainstream of contemporary
Islam. Of course, there are many Muslims and ex-Muslims, in Libya, Egypt, and
elsewhere, who unambiguously condemn not only the murders and riots, as well as
the idea that dissenters from this mainstream should be punished. But they are
marginalized and all too often indirectly held responsible for the very
provocation. In the age of globalization and mass immigration, such intolerance
has crossed borders and become the defining characteristic of Islam.
And the defining
characteristic of the Western response? As Rushdie’s memoir makes clear, it is
the utterly incoherent tendency to simultaneously defend free speech and to
condemn its results.
I know something about the subject. In 1989, when I
was 19, I piously, even gleefully, participated in a rally in Kenya to burn
Rushdie’s book The Satanic
Verses. I had never read it.
Later, having fled an arranged marriage to the
Netherlands, I broke from fundamentalism. By the time of Sept. 11, 2001, I
still considered myself a Muslim, though a passive one; I believed the
principles but not the practice. After learning that it was Muslims who had
hijacked airplanes and flown them into buildings in New York and Washington, I
called for fellow believers to reflect on how our religion could have inspired
these atrocious acts. A few months later, I confessed in a television interview
that I had been secularized.
The change had consequences. Asked about the poor
integration of Muslim immigrants into Holland’s civic culture, I recommended
the emancipation of girls and women from a religious practice that motivates
parents to remove them from school as teenagers and marry them off. Through
emancipation, Muslim integration into Dutch society would come faster and
endure. But I soon learned that by making such statements, I had unwittingly
blasphemed three times: by associating terrorist attacks with a theology that
inspired it; by drawing critical attention to the treatment of women in Islam;
and the worst blasphemy of all by leaving the Muslim faith.
That was just the beginning of the adventure. When I
eventually entered politics and campaigned for a seat in the Dutch Parliament,
the atheist-liberal Dutch elite was thrown into total confusion: I was either
praised as a Voltaire or condemned as a diva desperate for attention. The week
before I was sworn into Parliament, I gave an interview to an obscure paper in
the Netherlands that caused an uproar. Dutch Muslim organizations had been
demanding that the age of marriage be lowered from 18 to 15, touting the
Prophet Muhammad as their moral guide. In response, I suggested that some of
the actions of the prophet might be considered criminal under Dutch law. This
prompted a delegation of ambassadors from Turkey, Malaysia, Sudan, and Saudi
Arabia to knock on the door of my party leader shortly after I took my seat in
the legislature, demanding my eviction from Parliament for hurting the feelings
of Muslims those not only in Holland, but everywhere in the world, all 1.5
billion of them.
But that was nothing compared with what happened when I made a short film with Theo van Gogh (titled Submission) that drew attention to the direct link between the Quran and the plight of Muslim women. In revenge for this act of free thinking, Mohammed Bouyeri, a 26-year-old Dutch-Moroccan man, murdered van Gogh shooting him eight times and stabbing him with two knives, one of which pinned a note to his body threatening the West, Jews, and me. As he was dying, my friend Theo reportedly asked his assailant, can’t we talk about this? It’s a question that has haunted me ever since, often in bed at night. One side proposing a conversation; the other side thrusting a blade.
But that was nothing compared with what happened when I made a short film with Theo van Gogh (titled Submission) that drew attention to the direct link between the Quran and the plight of Muslim women. In revenge for this act of free thinking, Mohammed Bouyeri, a 26-year-old Dutch-Moroccan man, murdered van Gogh shooting him eight times and stabbing him with two knives, one of which pinned a note to his body threatening the West, Jews, and me. As he was dying, my friend Theo reportedly asked his assailant, can’t we talk about this? It’s a question that has haunted me ever since, often in bed at night. One side proposing a conversation; the other side thrusting a blade.
Now I knew what it was like to be a combatant in the
clash of civilizations. Having renounced Islam and openly criticized its
political manifestations, I was condemned to a life cordoned off from the rest of
society. I quickly learned the drill leading up to any public meeting or event.
Follow me, the agent on duty would bark out, half-request and half-order,
opening the doors to the armored car, doors I was not allowed to touch. Then a
fast-paced walk, more like a march: a dash into basements and cellars; down
dark corridors and elevators; through greasy kitchens and laundry rooms full of
startled workers looking up, frozen in place. Agents whispering into wrists,
elevators opening at the perfect moment, and I would be ushered into the
occasion I was supposed to attend: a meeting of politicians; a town hall
gathering; a reading; an intimate birthday party.
IT IS a dreary, enervating routine one with which
Rushdie is oppressively familiar. In Joseph
Anton, he movingly relates
the story of his ordinary life before the fatwa, how he lost that life, and
then how he learned to adjust to it without losing his sanity. He keeps himself
going by focusing on the funny side of things. He grows accustomed to waking up
in unfamiliar houses and discussing his every move with strangers appointed by
the government for his protection. Before the fatwa, Rushdie had been a proud
and stubbornly free man. But under threat of murder, he suddenly found himself
forced to take orders from strangers for the sake of keeping himself and his
family alive.
This risk was not abstract. Senior government
officials told Rushdie about plots involving hit squads. The Japanese
translator of Verses was stabbed to death, and the Italian translator
seriously injured in a similar attack. Despite all this, he has remained a
stalwart, fearless defender of free speech.
His critics in Britain were less reliable.
Intellectuals who harbored personal dislike of him or contempt for his work
suggested that he only had himself to blame for the fatwa and that he could
have perhaps done something to avoid it. (When the critics exhausted this
argument, they complained that taxpayers had to foot the bill for Rushdie’s
protection.) It came as an especially hard blow when those he had considered
ideological compatriots took the side of the fanatics by default (usually by
refusing to defend an inalienable right to write what he wished about them).
Rushdie felt particularly aggrieved that many of the
attacks came from people whose worldview he shared. His leftist credentials
were undisputed, given his positions on apartheid, the Palestinian question,
racism in Britain, and Margaret Thatcher’s government. What’s more, Rushdie
considered himself a friend, not an enemy, of Islam. He believed that his roots
in Islam though his family was not particularly religious gave him credibility.
His previous book, Midnights
Children, had been a hit in
India, Pakistan, and even Iran. He had no clue that Verses would trigger a hostile reaction among
Muslims.
How wrong it was to accuse him of provoking those who
sought to silence him and for the British government to urge him to apologize
as a way of accommodating Muslim leaders. In the past 23 years, we have learned
a lot about the danger of giving in to the demands of extremists. We now know
all too well how it incites them to demand more and to refuse reason and a
peaceful settlement.
Or at least some of us know it. How often have I
endured bizarre conversations with government officials who cling to the
illusion that the threat is temporary or that it can be negotiated. And then
there are the even more delusional positions staked out by some prominent
intellectuals who blame the writer, the politician, the filmmaker, or the
cartoonist for provoking the threat. In the days after van Gogh was murdered,
too many prominent Dutch individuals expressed precisely this position,
declaring smugly, Yes, of course killing is wrong, but Theo was a provocateur
... Will they never cease looking for ever more ingenious ways of apologizing
for free speech?
As the latest wave of indignation sweeps across the
Muslim world, we should not be despondent. Yes, this is a setback for the Arab
Spring. Yes, it is bloody, dangerous, and chaotic on the streets. Yes, innocent
people are dying and their governments are powerless. But this too shall pass.
Utopian ideologies have a short lifespan. Some are
bloodier than others. As long as Islamists were able to market their philosophy
as the only alternative to dictatorship and foreign meddling, they were
attractive to an oppressed polity. But with their election to office they will
be subjected to the test of government. It is clear, as we saw in Iran in 2009
and elsewhere, that if the philosophy of the Islamists is fully and forcefully
implemented, those who elected them will end up disillusioned. The governments
will begin to fail as soon as they set about implementing their philosophy:
strip women of their rights; murder homosexuals; constrain the freedoms of
conscience and religion of non-Muslims; hunt down dissidents; persecute
religious minorities; pick fights with foreign powers, even powers, such as the
U.S., that offered them friendship. The Islamists will curtail the freedoms of
those who elected them and fail to improve their economic conditions.
After the disillusion and bitterness will come a
painful lesson: that it is foolish to derive laws for human affairs from gods
and prophets. Just like the Iranian people have begun to, the Egyptians,
Tunisians, Libyans, and perhaps Syrians and others will come to this
realization. In one or two or three decades we will see the masses in these
countries take to the streets and perhaps call for American help to liberate
them from the governments they elected. This process will be faster in some
places than others, but in all of them it will be bloody and painful. If we take
the long view, America and other Western countries can help make this happen in
the same way we helped bring about the demise of the former Soviet Union.
We must be patient. America needs to empower those
individuals and groups who are already disenchanted with political Islam by
helping find and develop an alternative. At the heart of that alternative are
the ideals of the rule of law and freedom of thought, worship, and expression.
For these values there can and should be no apologies, no groveling, no hesitation.
It was Voltaire who once said: I disapprove of what
you say, but I will defend to the death your right to say it. As Salman Rushdie
discovered, as we are reminded again as the Arab street burns, that sentiment
is seldom heard in our time. Once I was ready to burn The Satanic Verses. Now I know
that his right to publish it was a more sacred thing than any religion.
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