What the saving of their souls was for the ancients, saving of electricity has become for the moderns
by Theodore Dalrymple
The one thing that many environmentalists seem not to care about is the
environment. By this I mean its visual appearance. They would happily empty any
landscape or any city of beauty so that the planet might survive. Like the
village in Vietnam, it has become necessary to destroy the world in order to
save it. And, of course, destruction of beauty has the additional advantage of
being socially just: for if everyone cannot live in beautiful surroundings, why
should anyone do so? Since it is far easier to create ugliness than to create
beauty, equality is to be reached by the former rather than by the latter.
The indifference of environmentalists to aesthetic considerations was
illustrated by a friend, who kindly forwarded to me a brochure about a fully
ecological house, erected (or assembled, since it was pre-fabricated) in the
centre of Paris in front of Haussmann-style buildings. Needless to say, it
completely destroyed the harmony of the surrounding townscape.
It looked like a three-dimensional Mondrian, all boxes and bright colours.
Inside, it was more a laboratory than a home, the kind of sterile environment
necessary for in vitro fertilisation. However much it might have been heated by
the sun, it lacked warmth. It was a proper place for androids, not for humans.
The brochure claimed many advantages for it, not the least of which was
that the residents could monitor their energy consumption electronically hour
by hour, minute by minute, in order to minimise it. Thus they could ensure that
they never forgot their own impact on the environment, and were never totally
free of anxiety about it. What the saving of their souls was for the ancients,
saving of electricity has become for the moderns.
No consideration was given in the brochure to such questions as the
harmonisation of new houses with the pre-existing townscape or landscape, or
how these cheap and gaudy constructions would look after a few years of wear
and tear; but the smallness of the houses was vaunted as an enormous social
advantage. There simply was not enough room, not enough land area, said the
brochure, for everyone to occupy as much space as he wanted.
This was an odd claim, because the house was by no means as efficient in concentrating
the population as – the very Haussmann-style buildings in the front of which it
was assembled, which manage so marvellously to combine elegance, grandeur,
human scale and density of population, and which are now so desired and
desirable as places to live that they have become too expensive to buy for
anyone who does not already own part of one. Oddly enough, no one has ever
suggested building as Haussmann did, albeit with such energy-saving devices as
ingenuity might supply. The past is the one thing we don’t want to learn from,
especially if we are architects.
To go from the sublime to the ridiculous, I recently saw an example of
environmentalist brutalism in a city not quite as famed as Paris for its
beauty, namely Liverpool. Actually, Liverpool was once, at least in parts, a
rather grand city, other parts of it being hideous beyond description, of
course. It was once one of the largest entrepots and passenger ports in the
world; the proceeds of the slave trade in the eighteenth century had been
invested in elegant Georgian buildings and the proceeds of the hugely expanded
trade of the Victorian and Edwardian eras in grandiloquent municipal buildings.













