Uttin’ On the Itz
High hats and
arrowed collars, white spats and lots of dollars
Spending every dime, for a wonderful time
If you're blue and you don't know where to go to
Why don't you go where fashion sits,
Puttin' on the Ritz.
– Irving Berlin
Spending every dime, for a wonderful time
If you're blue and you don't know where to go to
Why don't you go where fashion sits,
Puttin' on the Ritz.
– Irving Berlin
Hegel remarks
somewhere that all great, world-historical facts and personages occur, as it
were, twice. He has forgotten to add: the first time as tragedy, the second as
farce.
– Karl Marx
– Karl Marx
I never could bear
the idea of anyone expecting something from me. It always made me want to do
just the opposite.
– Jean-Paul Sartre, “No Exit”
– Jean-Paul Sartre, “No Exit”
Every time I hear
a political speech or I read those of our leaders, I am horrified at having,
for years, heard nothing which sounded human.
– Albert Camus
– Albert Camus
The structure of a
play is always the story of how the birds came home to roost.
– Arthur Miller
– Arthur Miller
In Young Frankenstein, Mel Brooks and Gene Wilder brilliantly
reformulate Mary Shelley’s Frankenstein; or, The Modern Prometheus,
a tragedy in the classic sense, as farce. The narrative crux of the Brooks/Wilder
movie is Dr. Frankenstein’s demonstration of his creation to an audience of
scientists – not with some clinical presentation, but by both Doctor and
Monster donning top hats and tuxedos to perform “Puttin’ on the Ritz” in true
vaudevillian style. The audience is dazzled at first, but the cheers turn to
boos when the Monster is unable to stay in tune, bellowing out “UTTIN ON THE
IIIITZ!” and dancing frantically. Pelted with rotten tomatoes, the Monster
flees the stage and embarks on a doomed rampage.
Wilder’s Frankenstein accomplishes an amazing feat – he creates life! – but
then he uses that fantastic gift to put on a show. So, too, with QE. These
policies saved the world in early 2009. Now they are a farce,
a show put on by well-meaning scientists who have never worked a day outside
government or academia, who have zero intuition for, knowledge of, or
experience with the consequences of their experiments.
Two things happened this week with the FOMC announcement and subsequent
press conferences by Bernanke, Bullard, etc. – one procedural and one
structural. The procedural event was the intentional injection of ambiguity
into Fed communications. As I’ll describe below, this is an even greater policy
mistake that the initial “Puttin’ on the Ritz” show Bernanke produced at the
June FOMC meeting when “tapering” first entered our collective vocabulary. The
structural event ... which is far more important, far more long-lasting, and
just plain sad ... is the culmination of the bureaucratic capture of the
Federal Reserve, not by the banking industry which it regulates, but by
academic economists and acolytes of government paternalism. These are
true-believers in too-clever-by-half academic theories such as management of
forward expectations and in the soft authoritarianism of Mandarin rule. They
are certain that they have both a duty and an ability to regulate the global
economy in the best interests of the rest of us poor benighted souls. Anyone
else remember “The Committee to Save the World” (Feb. 1999)? The hubris levels
of current Fed and Treasury leaders make Rubin, Greenspan, and Summers seem
almost humble in comparison, as hard as that may be to believe. The difference
is that the guys on the left operated in the real world, where usually you were
right but sometimes you were wrong in a clearly demonstrable fashion. A
professional academic like Bernanke or Yellen has never been wrong. Published
papers and books are not held accountable because nothing is riding on them,
and this internal assumption of intellectual infallibility follows wherever
they go. As a former cleric in this Church, I know wherefore I speak.